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When I bought my '63 Lark Daytona Skytop, it didn't have the individual "LARK" front fender letters. When it was in the restoration shop, I warned the owner to not goof that up. Luckily, he had an original '63 Daytona (not Skytop) of his own upon which he measured. Studebaker's NOS fenders (as is usually the case with most Larks, mine had been replaced along the way) did not come with the holes for the letters in them.
Surprisingly, my '64 Daytona I believe still had the original, rust-free front fenders, as they were still welded to the inners and most folks just pop-riveted them on. (and that '64 was no high-buck restoration, trust me!)
One front fender had "283" emblems and the other said it was a "327".
They had the car for a month or so before someone finally noticed. The dealer replaced the 283 with another 327 because that's what it was!
I remember very well the last time I ever consented to be a concours judge. During the judging in the "postwar American" category, an argument ensued as to whether an accessory on a 50s Studebaker was correct or not. The owner HAD THE FACTORY BROCHURE showing the accessory, and *still* the judges argued about it. I just wanted no part of this lunacy anymore.
I was all for not awarding trophies to MGs with Volvo engine in them but debating the thread patterns on the seats of a Chevrolet sedan made in the 100s of thousands?
Just not my cup of tea I guess.
Stuff I've seen:
1) Neighbor's Volare had "Aspen" on the trunk.
2) Didn't see, but heard of Omnis and Horizons with the sister car's nameplate on the back..a friend at the dealership said they called them "Plodge Homnis".
3) I grew up hanging around a Chevy dealer, so my observations are limited to them mostly, but I remember seeing a Nova Concours with the narrow bodyside molding on one side and the optional wider molding down the other side.
4) A new Lumina with the red "Euro" trim down only one side.
5) A '77 Impala in the showroom (!) with a Caprice Classic rear seat and cushion installed (at least it was the same color and material as the correct Impala front seat).
6) A friend's '77 Caprice with three fabric inserts on three doors but a vinyl insert on one door. With the cloth seats, it should have had fabric inserts on every inner door panel.
Workmanship in those days could be just terrible and they depended on the dealers to handle all of this under warranty.
THIS is how the Japanese got a foothold in the first place. The Japanese cared about quailty at a time Detroit didn't care.
I know I'm old-fashioned, but I think cars today are boring as s**t. I know they're better, but I think we can thank the Japanese for offering limited colors, models, bodystyles, etc., and the domestics just followed them. I enjoyed new-car ownership in the late '70's/early '80's...but then, we were buying rear-drive cars still
I think that the most obvious competitor for the Rivirea is the Avanti. Both cars came out in 1963 and were competitively priced. It was unfortunate for Studebaker that the Riviera came out that same year. The Avanti was definitely faster and handled much better than the long-wheelbase Hawk.
I do like the Hawks and think that the 1956 Golden Hawk led the way for the upscale 4-seater powerful coupes which followed, beginning with the "Rolling Jukebox" 1958 T-Bird, which sold much better than the two-seat model and was one of the few cars that sold well in 1958.
I like Avantis a lot..so restrained in an era of excess.
Some time back, I posted a photo of a black Avanti that looked perfectly authentic, right down to tire size/whitewall size/off-white wheel color, and it made me weak in the knees.
I prefer GT's, but I think it's amazing that two of Stude's three lines in '63 and '64 were specialty coupes.
http://02a1392.netsolhost.com/mcvcg/2010/04/20/the-corvette-killer-of-1963/
My grandpa had one of those 80s NUMMI Novas as his last company car, and it had Corolla floor mats.
I do think the introduction of the Riviera probablhy hurt a lot. In comparing a 1963 Thunderbird to a 1963 Riviera, the Riviera wins hands down.
Studebaker didn't have nearly the dealer network that Buick had so a lot of potential customers probably didn't even bother looking.
That article said that an Avanti could whip a '63 Corvette. I'ld like to see the quarter mile times between the Supercharged Avanti and a fulie '63 Vette.
A '64 Lark with R3, which is as aerodynamic as a brick, got quarter miles down in the high 12's before at the Pure Stock Musclecar Drags.
http://cgi.ebay.com/ebaymotors/1967-Avanti-Studebaker-designed-Vette-327-300-HP-- /120719695291?pt=US_Cars_Trucks&hash=item1c1b745dbb
In terms of styling, the Avanti has not aged very well. To my eye, a GT Hawk is far more attractive, and stands up better to a Riviera in a popularity contest.
I think the "modern eye" doesn't take well to the shovel-nose type of car or the kammback type of car or the "wedge" type of car anymore.
Some styles don't seem to translate well once they leave their generation.
Maybe what hurts Avantis is the perpetuation of the Avanti ghost, which was like a vampire you just couldn't kill. I bet many people confuse the "real" Avantis with the later versions, which just got homelier and homelier each time they tried to bring back the dead. I feel it diluted the image of the car. They didn't get prettier as they got reproduced and re-made either.
Speaking of looks, I never really thought about this before, but only since this discussion have I thought that the front corners of the '63-65 Riviera aren't very appealing to me. I'm reminded of Chinese lanterns. I never thought that way before. Love the car in profile; love the rear of the '65, and love the interior of all three model years.
The funny thing is I remember that despite being a 4 seater, the Avanti and its fiberglass body were touted more as a Corvette challenger. Maybe Studebaker marketing wanted to keep interest in the Hawk GT for the 4 seater market to preclude cannibalizing sales?
I think he may have been one of the all time best automotive stylists. Most of his vehicles still look fresh and classic today. At the other end of the design spectrum, I always also liked Virgil Exner. His vehicles jumped all over the board, but I always enjoyed his innovative attempts to keep the car design field interesting and evolving. Both of these guys are sorely missed today, but maybe all of the regulation and modern day issues would have limited them these days as well.
Todays cars pretty much look the same as they strive to meet safety and fuel economy goals.
As kids, a lot of us cojuld stand on a corner and call out the model and year of every car that passed by.
Heck, I can't even tell certain years of Hondas apart and I'm pretty good at that.
Avanti was in a tough tough niche from the get-go---the Vettes were getting meaner and the T-Birds more and more full of bloat. It's almost like the niche split in two directions and Avanti was prepared for neither.
There were many orders for the Avanti at introduction time, but Studebaker couldn't build them quickly and there were problems with MFG's bodies, which made Studebaker decide to build the fiberglass bodies in-house. Six-month wait times for an order was considered ridiculous then, and many buyers understandably went elsewhere.
I think that Studebaker picked a pretty good niche between the two-seat Corvette and the four-seat Thunderbird. The problem was the production delays and the price. Studebaker announced the Avanti at the New York auto show in April 1962 and gave one away at the Indy 500 but could not produce enough while the excitement was still fresh.
By September 1963 the Avanti was old news and you could buy a 327 cu. in. Sting Ray split-window coupe for $4,252 ( $4,037 for the convertible) or for $4,333 you could buy a new Riviera with a 401 or 425 cu. in. V-8. Chevy sold 21,513 Sting Rays and Buick sold 40,000 Rivieras that year. An Avanti cost $4,445, was available with only the 289 cu. in. V-8 of unknown horsepower because Studebaker wouldn't cite any horsepower figures. If wanted an R-3 you had to pay "top of the line" Cadillac prices and wait a long time to get it.
This seems like a pretty good niche which was later exploited by the Riviera, Monte Carlo and second generation Camaro-Firebirds such as the one seen on the Rockford Files. Studebaker only wanted to sell 30,000 Avantis in the first year of production but they took a gamble with the large rear window and lost that bet when it would not fit into too many bodies they received from Ohio. Chevrolet played it safe and put a split window in the 1963 Corvette, although that was a much smaller glass area.
The Avanti was supposed to generate excitement lead the way to more streamlined cars from Studebaker, but when the leaders (Avanti and Egbert) faltered, there was not enough money (or interest) to carry out the Egbert plan to move away from boxy cars that everyone else was selling.
The pro types shown below have many styling features that showed up in later cars including no decorative chrome, no grille, one- piece door windows and hidden windshield wipers. http://www.conceptcarz.com/view/photo/592917,18846/1962-Studebaker-Avanti-Protot- ype_photo.aspx
I have to say that I'm happier with the way the production Avanti ended up over what these prototypes look like
Long story made short, but I had met Egbert's secretary Martha Fleenor a couple times in the past twenty years. She had said that when Egbert and family got on a small plane at the South Bend airport to fly home to California, in January of '64, she and Andy were the only people there to see them off. Andy asked her if she had a lipstick, and she handed him one from her purse. He proceeded to write on the plane, "We love you and will miss you".
Thee Avanti was just too expensive for what you got. Really, content-wise, it should have sold under $4,000.
It wasn't the fault of the car. It was the fault of the price and the company who built it.
We agree on the price, but for that base price you got "custom" (cheap) interrior trim panels and a three-speed manual shift (no overdrive) on the floor. My Avanti had the three-speed on the floor (which I changed to a T-10 four speed) but the better ("Regal") interrior trim which is most commonly seen. Therefore, most Avantis sold for more than their base price, which was already higher than the Corvette, T-Bird and Riviera.
The two protypes shown were nowhere near ready for production, (the bodies sit too high off the frames) but I like their size, shape and glass area. It would have been interesting if Studebaker could have sold more Avantis during the first six months of production.
I never saw many with that basic interior. The optional interior looked much better.
Bad enough with the one piece!
I think they went too far when they later put the pirate's belt buckle in the door trim panel above the arm rest and do not know why Newman and Altman kept it after removing the "S" in the Avanti II. It served no purpose.
I have not had a chance to do this. I've always thought it looked far too "Buck Rogers"-ish and would take a '64 over one for pure looks (not saleability). The '64 still has the horizontal fender vents if one likes those, but the improved rearward visibility and styling IMO. I'm not a fan of the styling of Sting Rays, but I could probably enjoy a '67, where most of the fake scoops had been removed and supposedly improved St. Louis workmanship occurred. I met the original owner of a '67 at a nearby cruise-in and he complained that when his came in, he was disapointed that they had taken out the hole for the hand grip above the glove compartment, that earlier Sting Rays had.
Best thing to do is snip the ears off any unusually low or unusually high sales results and try to keep within "the bell curve" where most of the results occur.
Widow sells pristine '64 Avanti for $5000 / car dealer sells pristine '64 Avanti for $75,000. Neither one is the fair market price.
It will be interesting to see if it gets relisted, since the two highest bidders had zero feedback. Still, that seems like a good price for the car. I think so many other colors than silver would look better on the car though.
Here's a '65 Riv (non-GS) on eBay now that I like a lot...although that one troublesome bubbling area might give me a little pause. BIN is $20K:
http://cgi.ebay.com/ebaymotors/Buick-Riviera-1965-buick-riviera-2-door-hard-top-- - 51-900-orig-miles-_W0QQcmdZViewItemQQhashZitem20b9476fe0QQitemZ140547420128QQptZ- - USQ5fCarsQ5fTrucks
I love that color--so mid'60's GM.
I think all the bigger '65 GM cars were great-lookers. I'm able to enjoy them; I just prefer '60's Studebakers mostly since they're not so nearly commonplace at car shows.
As you said, the final bids were by zero feedback "bidders". It ended up at 26,100, which in my opinion was WAY too much for that car yet it didn't hit it's reserve?
That other '65 needs a lot. It looks to me like a typical IL rust bucket that has been tarted up to sell. Standard interior, wrong color etc.
I think that with that Riviera the harder you looked, the more problems you would find.
I really like the dark turquoise GM used in that same '65-67 time period.